Gear is only as good as the engineer using it….and the performance that it’s capturing. We love our gear, and are quite proud of it. But only the combination of a great performance, engineer, room, and gear can make a great recording.

DAW/Converters
• ProTools|HD II - 7.3
• Auora Lynx 16 mastering converters
• Auora Lynx 8 mastering converters (mobile recording)
• Power Mac G5 dual-core 2GHz / 2 GB RAM
• UA UAD-1 card
• ProTools 002 rack (mobile recording)

Monitors

• ADAM P-33a monitors
• Yamaha NS-10M monitors
• Yamaha MSP5 monitors
• BeyerDynamic DT990 headphones
• BeyerDynamic DT770 headphones (3)

Preamps

• Neve 1073 DPA (4)
• SSL Alpha VHD (4)
• Trident S20 (2)
• UA Solo 610
• Altec Lansing 1567a

Microphones

• BLUE Bottle - B6 & B7 caps
• Neumann U87 Ai
• AKG C414B-XLS
• Royer R-121
• BLUE Woodpecker
• Rode NT2
• Rode NT5 (2)
• Oktava 219 - modded by Joly
• Shure SM7
• Shure SM57
• Audix i5 (3)
• Audix D6

Dynamics

• SSL X-logic G-Series bus comp
• UA 2 - 1176
• dbx 160A (2)
• UAD-1 LA2A
• McDSP ML4000
• McDSP Compressorbank

Equalizers

• UAD-1 Neve 1081/1073 EQ
• UAD-1 Plutec Pro/EQP-1A
• McDSP Filterbank

Other Plugins/Effects

• UAD-1 SPL Transient Designer
• Antares AutoTune 5.0
• McDSP ChromeTone
• McDSP Analog Channel
• SyncoArts VocAlign
• Trillian Labs TL Space
• Trillian Labs Drum Rehab
• Line 6 Echo Farm
• Digidesign Reel Tape Suite
• NI Komplete 4 (Akoustik, Battery 3, FM8, Kontact 2, Electrik Piano, B4 II)